book.3017.aral5zw.webp

Ideas you
believe are
absurd
ultimately
lead to success


European Kunsthalle
Models for Tomorrow
Cologne
2007

book.3018.018ideas_koln.webp

This work, which text is derived from fortune cookies, has taken various forms and media since 2000.
Here, the text is installed at the gas station across from the site where the Josef-Haubrich-Kunsthalle in Cologne once stood. The demolition of this Kunsthalle led to the European Kunsthalle 2005, a discursive platform without a physical location, which has developed a radical approach to institutional practice.

The European Kunsthalle aims to reflect the concepts and potentials of the Kunsthalle model, to put it into perspective and develop it. Its activities focused vigorously on decentralized projects as well on collaborative structures. As an institution without a permanent site, the European Kunsthalle is targeting overall performative presence: it exists in the very places where its projects are happening.

Within the Framework of “Models for Tomorrow: Cologne”, twenty-one artists show their designs for a new exhibition hall at both extraordinary and ordinary cultural sites in downtown Cologne. The sketches, planes, and models produced especially for this exhibition deal with two themes: the architecture for the new exhibition space and concepts for its possible use. Artists’ pragmatic approaches are shown alongside works with utopian potential, using the urban space with its range of publicly accessible sites.

A ring-shaped parcours has been set up in downtown Cologne that invites the art audience to walk along its path. The venues offer various spatial concepts with varying opening times, represent commercial or public interests, and are highly popular or exist on the city’s periphery. They show that answers to the question regarding the future profile of the European Kunsthalle might already be there in one of the city’s resources: its spaces. Moving through different stages of exhibitioning, the European Kunsthalle directs attention to its specific location and starting point.

The installation of the evocative aphorism Ideas you believe are absurd ultimately lead to success on this location triggers thoughts about the site across the street, its past and its possible future. It visualizes the notion that spaces can be created where nothing actually exists, and that these spaces are more than just temporary, imaginary buildings. The use of light creates a stage for the work, which also makes it clear that every idea, regardless of how fragile it is, can take on a solid form with help from mediation and communications tools.





Themes:
public domain
Facts on the ground Take Part Letters to the Land The City & The City Turning a Blind Eye Etwas Rotes Teach Me Something School of Walking: Casablanca Eminent Domain Stick It On! The poem that jumps the fence School of Walking: Vienna Beautiful, beautiful, beautiful, he said Parade or Dazibao? Jogo kali Up Close The School of Missing Studies What if the moon were just a jump away? Not all those who wander are lost Hurry Up Please, It's Time Between a rock and a hard place These socks not white (Deze sokken niet wit) Elements of composition [As above, so below] Accumulate, collect, show Too late, too little, (and how) to fail gracefully Speculation Unititled (Gold) Public Sculpture [sous les pavés, la plage] Public Arena 1440 minutes towards the development of a site The Smell of Success What colour would a chameleon take when placed on a mirror? Billboard Close Encounters A garden for Lindestede Art is either plagiarism or revolution, or: something is definitely going to happen here Istanbul, 59 Locations: A Format For Nightcomers Ideas Sunset Cinema The Disappearance Piece Laughing Gas Little Liars Fly Me To The Moon Loompanics Ford Boxes Trinity (April 2, 2005) Biosphere2 Past Imperfect Skinner*s Box Teasing Minds Life, once more, continues to be free and easy 52% happy KA Nomads in Residence / No. 19 Untitled (after Miklos Erdely) City Oasis Model City Love and Happiness Absolut Stockholm Good Nomads & Residents Proposition for Reclaiming a Space point d'ironie Learning From Vancouver Mosaic Kiev, 18-3-2006 To Gather on a Mountain
site specificity
The poem that jumps the fence Letters to the Land Facts on the ground Little Liars Letters to the Land Turning a Blind Eye To Gather on a Mountain School of Walking: Casablanca School of Walking: Vienna Beautiful, beautiful, beautiful, he said Jogo kali Speechless Not all those who wander are lost Good Proposition for Reclaiming a Space point d'ironie A half mile of string Take Part One to One Anatomy of a scene How does a straight line feel? (GwangJu) WERE IT AS IF Etwas Rotes Up Close Stick It On! Hurry Up Please, It's Time Between a rock and a hard place Elements of composition [As above, so below] Accumulate, collect, show Too late, too little, (and how) to fail gracefully Clearing Procedure are you really sure that a floor can't also be a ceiling? Speculation Learning From Vancouver It isn't what it used to be and will never be again Public Sculpture [sous les pavés, la plage] Public Arena 1440 minutes towards the development of a site I've Got Something in My Eye The Smell of Success What colour would a chameleon take when placed on a mirror? Billboard Close Encounters A garden for Lindestede Art is either plagiarism or revolution, or: something is definitely going to happen here Istanbul, 59 Locations: A Format For Nightcomers Ideas Sunset Cinema Laughing Gas Teach Me Something Ford Boxes Trinity (April 2, 2005) Skinner*s Box Life, once more, continues to be free and easy Nomads in Residence / No. 19 Untitled (after Miklos Erdely) City Oasis Lobby / Office Piece Insert Love and Happiness Absolut Stockholm Nomads & Residents Kiev, 18-3-2006