City Oasis opens up the garden of art centre Marres (Maastricht) to the public. City Oasis re-arranges the spatial functions of Marres, closes what is opened and opens to what seems closed. The central corridor leading through the Marres building is disconnected from the rest of the house, and two transparent iron gates replace the back- and front doors. This corridor gives public access to the enclosed city garden, reveiling a wild oasis, with 'sitting islands' and an herbal garden. Seemingly everyday plants are grown here, but a closer look exposes their unexpected hallucinogenic effects.
While the Situationists were practicing 'the useless', introducing notions of play and dream in culture - underlining the importance of adventure as a direct experience - today exactly the useless and the adventurous (wandering, leisure, drifting) have become forms of planned entertainment. Wandering and drifting is located to different environments like commercial shopping malls and rock festivals. Doing nothing is no longer subversive, because it is no longer useless; instead, it is discovered as an economic factor of enormous importance.
City Oasis activates the notion of 'reclaiming space', a regular feature in the oeuvre of Bik van der Pol. By a simple architectural gesture, they articulate the connection between the street and the garden. It is about time to reconsider the outstanding features of the everyday. There is a lot of subversion to be discovered within the familiar.
Hortus Ludi
(Preparations)
Marres
Maastricht
2002
Hortus Ludi is a project for Marres, Maastricht, consisting of (Preparations) and City Oasis.
Hortus Ludi (Preparations) is proposed as a metaphor for the artists studio as a laboratory and testing ground. Game and play as a spectacle and activity is one of the starting points of the hortus ludi. Nothing stands by itself; everything is related to historical, social, psychological and cultural circumstances and situations.
Hortus Ludi explores 'Preparations' as a curatorial project and exhibition typology by Bik Van der Pol with works, talks and presentations of Lara Almarcegui, Jason Coburn, Clanitica, Anita DiBianco & Mira Bernabeu, Annika Eriksson, Felice Hapetzeder, Sabine Hornig, Aletta de Jong, Jeroen Jongeleen & Erosie, Jan Kopp, Rudy Luyters on the garden he created for Museum De Pont in Tilburg, Arnold Mosselman, Claudia & Julia Muller, Cesare Pietroiusti, Amelie Rydqvist, Hinrich Sachs, Chris Wilcha, Dolores Zinny & Juan Maidagan, Matts Leiderstam, and Frans Postma on the reconstruction of Mondrian's studio that he made with his students at TU Delft.
